For over ten years I have worked in community engagement in theatre, as well as instigating independent projects. Across my broad experience of designing and managing participatory arts projects, I pay special attention to place-based approaches to grow the reach and offer to the communities we work with. It is very important to me that the project leaves the ground more fertile for future projects to take place through democratic means.

I am very passionate and vocal about the transformational potential of the Arts for individuals and communities as it helps people feel their own power. I have a lot of experience in creating projects that are guided by the needs and aspirations of people beyond the typical reach of theatre, and highly value the opportunity for increased autonomy, possibility of harnessing creativity to change the fabric of how a place functions, and providing space for people to have a respite from the processes of place making life more difficult than needed. This can be seen in my work on REALITIES. When managing this work, I am particularly passionate about boldly creating programmes that extend access and equality of opportunity for all participants, unafraid to address the intersectional barriers people face when trying to engage.
My strong belief in the Arts as a vehicle for social change has recently taken me to postgraduate study, and I achieved an MA in Art and Social Practice with Distinction. The culmination fo this work was my publication on Place, People, Power. Through my studies, I am engaged in and actively contributing to the current debates, issues, and innovations in community art equipping me with a fresh perspective to apply to numerous contexts.
My research work on the role of ‘place’ in performance, participation, presentation, and production have seen me lead CPD in this work for artists and producers with Culture Collective, Toonspeak and Platform Easterhouse, as well as founded collaborations between Perth and Belgium through LEAR, It links to my fiercely international outlook when creating arts opportunities, as I recognise that we need both local and global influence when working in community contexts.
Culture is the stories that connect people, and we all have them to share. It is based in social interaction and takes places over food, play, and crafts. The trick is finding the creative spark to inspire that exchange, such as recollect: Dundee or Incubation: Hope.
I have a particular interest in working with communities who have previously not engaged with organisations, growing positive creative relationships on behalf of organisations. The aim of my work is to make community engagement visible, relational, and long-lasting. I believe that all theatre is participatory, and by connecting the projects to wider themes of liberation in a place we can foster genuine positive contribution of the Arts to the material conditions of peoples’ lives.
The results of my work can be seen in the organisations I have worked for diversifying and broadening their creative offers: the Care-Experienced drama provision of North Lanarkshire Council, the range and numbers of young people at Junior Conservatoire, and the expansion of the community engagement work at the Beacon Arts Centre.

Header Photo: Dave Hill
GIF: Dave Hill
Incubation Image: Sean McGonigal
